Index
- Education
- Biennials
- Solo shows
- Group shows
- Publications
- Grants
- Residencies
- Collections
- Texts
- Art fairs
EDUCATION
2011/ 2012 PIESP, São Paulo, Brazil
2007/ 2008 Camberwell College of Art, London, England— MA Theory and Practice of Transnational Art
2007 Chelsea College of Art and Design, London, England— Post Graduation Diploma in Fine Art
2005 Procedência e Propriedade, Charles Watson, Rio de Janeiro, Brasil
2000/ 2006 PUC, Rio de Janeiro, Brazil— Graduation Diploma in Graphic design
BIENNIALS
2022
— 37th edition of the Panorama of Brazilian Art: Sob as cinzas, brasa. MAM SP. Curated by Claudinei Roberto da Silva, Vanessa Davidson, Cristiana Tejo e Cauê Alves
2018
— 33rd Bienal de São Paulo – Affective Affinities, São Paulo, Brasil. Curadoria Gabriel Pérez- Barreiro
2012
— 18th Biennale of Sydney: all our relations, Art Gallery NSW and MCA, Sydney, Austrália. Curadoria Catherine de Zegher and Gerald McMaster
SOLO SHOWS
2023
– Esse ofício de rabiscar sobre as coisas do tempo, exige que prestemos alguma atenção a natureza (CDA). Galeria A Gentil Carioca SP, Brasil. Text by Ana Rocha
2022
– Sustentação e abismo, acervo aberto e trabalhos recentes. Galeria Marilia Razuk, SP, Brasil. Curadoria José Augusto Ribeiro
2019
– Almost Nothing, OTIUM #4, IAC – Institut of contemporary art- Villeurbanne/ Rhône-Alpes. France. Curated by Nathalie Ergino.
– Almost Nothing, Galeria 3+1, Lisboa, Portugal.
– Sobrecéu, Galeria do Lago, Museu da República, Rio de Janeiro, Brasil.
2018
– Pore, Marilia Razuk Gallery, São Paulo, Brasil. Curated by Bernardo José de Souza
– Pore, A Gentil Carioca Gallery, Rio de Janeiro, Brasil. Curated by Bernardo José de Souza
2016
– com a pele fina, MdM Gallery, Paris, France
2014
– Pedra Vão, A Gentil Carioca Gallery, Rio de Janeiro, Brazil. Curated by Michael Asbury
– Situação de água, Marilia Razuk Gallery, São Paulo, Brazil. Curated by Luisa Duarte
– Jaro 3, Rooster Gallery in association with Residency Unlimited, New York
Curated by Caroline Taylor
2013
– pela superfície, 3+1 Contemporary Art Gallery, Lisbon, Portugal
– La voix des choses, MdM Gallery, Paris, France. Curated by Felipe Scovino
2012
– O que vive é espesso, A Gentil Carioca Lá Gallery, Rio de Janeiro, Brazil. Curated by de Fred Coelho
2010
– Gesto Minimo, Riccardo Crespi Gallery, Milan, Italy. Curated by Federica Bueti
– Desenhos de Ar, Centro Universitário Maria Antonia, São Paulo, Brazil
– Eu fiz o nada aparecer — A Gentil Carioca Gallery, Rio de Janeiro, Brazil
GROUP SHOWS
2024
– Lugar de estar: o legado de Burle Marx – Museu de Arte Moderna do Rio de Janeiro. Curadoria Beatriz Lemos, Isabela Ono e Pablo Lafuente
2023
– Chosen Memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond, – MoMA, NY. Curated by Inés Katzenstein, curatorial assistance Julia Detchon
– Entre lá – Casa Conti – Ange Leccia Art Center, Córsega, França. Curated by Madeleine Filippi and Claire Luna
– Woman’s Work is Never Done – Richard Saltoun Gallery, London. Curated by Catherine de Zegher
– A Room of One’s Own – Galeria Marilia Razuk, São Paulo.
2022
– Objeto não identificado. Galeria Athena, Rio de Janeiro. Curated by Luisa Duarte and Victor Gorgulho.
– A trama da terra que treme. Galeria A Gentil Carioca SP. Curated by Victor Gorgulho.
– Selon notre regard, Trafó Art Center, Budapest. Curated by Liberty Adrien
– Pelas Frestas, Art Preview and Marilia Razuk Gallery, São Paulo.Curated by Claudia Calirman and Gisela Gueiros
– Espelho Labirinto (Sérgio Carvalho collection), CCBB Brasilia. Curated by Vicente de Mello and Aldones Nino
2021
–Panta Rei, Anna Marra Gallery, Roma. Curated by Marina Dacci
– Bum bum Paticumbum Prugurundum, inaugural group show at A Gentil Carioca Gallery, São Paulo.
– 4 x 5 . 4 – Corpo, Marilia Razuk Gallery, São Paulo. Curated by Douglas de Freitas
– Mirror, on line show at Vortic/ A Gentil Carioca Gallery.
– An(Other) Storyteller, on line show at Vortic. Curated by Periferia Projects.
2020
– Ao ar, livre, território Brasileiro. Curated by Tiago de Abreu Pinto
– Lost in Translation, A Gentil Carioca Gallery, Brasil. Exposição virtual.
– MIRA, ArtRio, Rio de Janeiro, Brasil. Curated by Victor Gorgulho
– Conversation Pieces, Mercedes Viegas Gallery, Rio de Janeiro, Brasil.
2019
– Matters of Concern, La Verrière, Foundation D’entreprise Hermès, Brussels, Belgium. Curadoria Guillaume Désanges.
– Manjar: Em tudo que vive, tudo que flui, Solar dos Abacaxis, Rio de Janeiro. Curated by Ana Clara Simões Lopes e Keyna Eleison
– Bauhaus: Utopia in Crisis, Camberwell Space, Camberwell College of Arts, London, UK. Curated by Professor Daniel Sturgis (em breve)
– Tecer mundos, SESC Quitandinha, Petrópolis, Brasil. Curated by Daniela Name.
– Da linha, o fio, Espaço Cultural BNDES, Rio de Janeiro, Brasil. Curadoria Shannon Botelho.
– Apuntes para un tiempo geológico, Galeria Ángeles Baños, Badajoz, Espanha. Curadoria Virginia Torrente
– Play-list 2, Galeria Martine Aboucaya, Paris, França.
– Correspondance, autour de Jacques Roubaud, Galeria Martine Aboucaya, Paris, França.
2018
– Cosmogonies, au gré des éléments, MAMAC, Nice, France. Curated by Hélène Guenin
2017
– Video Art in Latin America, LAXART, Los Angeles – Estados Unidos / USA. Curated by Glenn Phillips e Elena Shtromberg
– The Valise, The Museum of Modern Art, New York. Curated by May Castleberry
– Temps Variables et autres horizons, Galeria da Escola Superior de Artes de Lorraine, Metz, França
– La Vie Aquatique, Musée régional d’art contemporain, Occitanie / Méditerranée, França. Curadoria Sandra Patron
– Imaginaires d’un monde tranquille, Centre d’art contemporain, Meymac, França. Curadoria Caroline Bissière & Jean-Paul Blanchet, avec Eglantine Bélêtre
– Circularidade Vã, Z42 Arte Contemporânea, Rio de Janeiro. Curadoria Guilherme Marcondes e João Paulo Quintella, e assistência de Ana Bourdagohe
– A invenção da praia: cassino, Antigo Cassino da Urca, Instituto Europeo di Design, Rio de Janeiro. Curadoria Paula Alzugaray
– Sobre a Terra, Galeria A Gentil Carioca, Rio de Janeiro. Curadoria Bernardo Mosqueira.
– MA, Galeria Luciana Caravello, Rio de Janeiro. Curadoria Luisa Duarte.
– Constelar, Instituto Pró-Saber, Rio de Janeiro. Curadoria Marcelo Campos
– Curatorial project at the invitation of A Gentil Carioca Gallery: Abre Alas 13, A Gentil Carioca, em parceria com Bernardo de Sousa, Mara Fainziliber e Marcio Fainziliber.
2016
– Pequenos Formatos: Dimensão e Escala, Cidade das Artes, Rio de Janeiro, Brasil
– Indelével, Clube Jacaranda, Vila Aymoré, Rio de Janeiro, Brasil. Curated by Vicente de Mello
– Hiato, SIM Gallery, Curitiba, Brazil. Curated by Luisa Duarte
2015
– Coleções 10, Luisa Strina Gallery, São Paulo, Brazil
– Tangents, Museum of Fine Arts (MSK) in Ghent, Belgium
Curated by Catherine de Zegher
– Atributos do Silêncio, Bergamin & Gomide Gallery, São Paulo, Brazil
Curated by Felipe Scovino
– Encruzilhada, Parque Lage, Rio de Janeiro, Brazil. Curated by Bernardo Mosqueira
2014
– Rumors of the Meteore, FRAC Lorraine, Metz, France. Curated by Beatrice Josse
– Everydayness, Wyspa Institute of Art, Gdansk, Poland
Curated by Beatrice Josse and Aneta Szyłak
– A Invenção da Praia, Paço das Artes, São Paulo, Brazil. Curated by Paula Azulgaray
– Único, Carbono Gallery, São Paulo, Brazil. Curated by Paulo Venâncio Filho
2013
– Correspondências (exposição em homenagem ao centenário da artista Tomie Ohtake), Centro Cultural dos Correrios, Rio de Janeiro. Curated by Agnaldo Farias e Paulo Miyada
– Brutalidade Jardim, Marília Razuk Gallery, São Paulo. Curated by Kiki Mazzucchelli
– Week-end of Latin America, Quai Branly Museum, Paris, France.
– Chambres à Part VIII: Seeing is a Fable, Paris, France
– Lugar Comum, SESC Quitandinha, Petrópolis. Curated by Marcelo Campos
2012
– PIESP – Programa Independente da Escola São Paulo, Instituto Cervantes, São Paulo. Curated by Adriano Pedrosa e Luiza Proença
–…(chamo silêncio à linguagem-que-já-não-é-orgão-de-nada)… (after Pascal Quignard), Quase Galeria- Espaçot, Porto, Portugal. Curated by Fátima Lambert
– From the Margin to the Edge, Somerset House, Londres, Inglaterra. Curated by Rafael Cardoso
– Convite à Viagem, Rumos Itaú Cultural Artes Visuais, São Paulo, Brasil. Curated by Agnaldo Farias, Ana Maria Maia, Felipe Scovino, Gabriela Motta, Paulo Miyada, Alejandra Muñoz, Carlos Franzoi, Júlio Martins, Luiza Proença, Marcelo Campos, Matias Monteiro, Sanzia Pinheiro e Vânia Leal
2010
– Chez Toi, Exposition Éphémère N.1, See Art, Paris. Curated by Maria do Mar Guinle
– Silêncio, Galeria Zipper, São Paulo, Brasil. Curated by Paula Braga
– O lugar da linha, Museu de Arte Contemporânea, Niterói, Brasil/ Paço das Artes, São Paulo, Brasil. Curated by Felipe Scovino
– Natura e Destino, Riccardo Crespi Gallery, Milão, Itália
2009
– TrAIN to Bad Ems, Galerie Nord, Berlin, Alemanha. Curated by de Danièle Perrier
2008
– O Contrato do Desenhista, Plataforma Revolver, Lisbon, Portugal. Curated by Paulo Reis
– Little Things, The Parlour Project Space Gallery, London, England
– Reflect refract, Rich Gallery, London, England. Curated by Lucía Pizzani
– Realidades Imposibles, Fototeca Juan Malpica Mimendi, Vera Cruz, Mexico
– MA Theory and Practice of Transnational Art, House Gallery, London, England. Curated by Michael Asbury
– MA Theory and Practice of Transnational Art, Camberwell College of Arts, London, England. Curated by Michael Asbury
– Paper Trail: 15 Brazilian Artists, Allsopp Contemporary, London, England. Curated by Maria do Mar Guinle
2007
– Upstaging Nature, Lookoutpost in collaboration with London Wildlife Trust, Sydenham Hill Wood, London, England
– Novas Aquisições 2006/2007, Coleção Gilberto Chateaubriand, Museu de Arte Moderna, Rio de Janeiro, Brasil
Publications
2018 Poro, Editora Cobogó, 84 pages, 29 x 21 cm, works from 2018 to 2005. Texto Frederico Coelho
2017 The Valise, a collective artists’ project, unites seven South American artists—Johanna Calle, Matías Duville, Maria Laet, Mateo López, Nicolás Paris, Rosângela Rennó, and Christian Vinck Henriquez—with the Argentine writer César Aria. The printed edition, published by the Library Council of The Museum of Modern Art, presents a selection of artworks responding to the idea of travel and to Aria’s novel Un episodio en la vida del pintor viajero (2000), both the original Spanish edition and the English translation, An Episode in the Life of a Landscape Painter (2006). The novel concerns the surreal story of an 1837 journey through South America by the German painter Johann Moritz Rugendas, an associate of the explorer and naturalist Alexander von Humboldt. Designed to fit in a special valise (a carrying case), the works include original prints, maps, artist’s books, airmail envelopes, origami toys, posters, a sound recording, and a hand blown glass sculpture, all reflecting the artists’ shared affinity for geography, travel literature, and book-making. — The Valise was edited and produced for The Museum of Modern Art’s Library Concil by May Castleberry, Editor, Contemporary Editions, the Library Council. Leslie Miller, at The Grenfell Press, New York, and Mark Tomlinson, in Easthampton, Massachusetts, contributed to all aspects od the design and production. João Sánchez printed the 180 woodblock monoprints by Maria Laet at Estídio Baren, Rio de Janeiro. The entries on this brochure were written y May Castleberry and Elizabeth Zuba.
2011 Collaboration at Lado7 magazine, first number, Editora 7Letras, editor Jorge Viveiros de Castro
GRANTS
2011/ 2012 – Rumos Itaú Cultural Artes Visuais, São Paulo
2010, 2011, 2012, 2016, 2017,2018, 2022 – Indicated to PIPA Prize, Rio de Janeiro
RESIDENCIES
2014 RU Residency Unlimited, New York
2010 Carpe Diem Arte e Pesquisa, Lisbon, Portugal
2009 Schloß Balmoral, Bad Ems, Germany
COLLECTIONS
MAM, Gilberto Chateaubriand, Rio de Janeiro, Brasil
MAC, Niterói, Brasil
49 Nord 6 est – Frac Lorraine, Metz, France
MSK, Ghent, Belgium
MoMA, New York
Colección Patricia Phelps de Cisneros
AGI, Verona, Italy
Maria Cristina Masaveu Peterson Foundation, Madrid, Spain
Figueiredo Ferraz Institute, São Paulo, Brasil
Special Collections, The Getty Research Institute
Rare Books and Special Collection, Princeton University
The Bienecke Rare Book and Manuscript Library, Yale University
Ivorypress Artist’s Books Collection, Madrid
MAR, Rio de Janeiro
TEXTS
2019
— Cristiana Tejo, Tempo como ação, intenção e desintegração
— Nathalie Ergino, texto para o projeto OTIUM#4
2018
— Gabriel Pérez-Barreiro, entrevista para catálogo da 33a Bienal de São Paulo
— Frederico Coelho, Poro
– Bernardo José de Souza, A folha folheada pelo tempo, text for exhibition Pore
2016
– Isabel Junqueira, La peau de tout, text for exhibition com a pele fina
2014
– Michael Asbury, Pedra Vão, text for exhibition Pedra Vão
– Luisa Duarte, Situação de Água, text for exhibition Situação de Água
2013
– Jorge Emanuel Espinho, O Eu e o Outro – Impulso, Relação, Fronteira, text for exhibition pela superfície
– Felipe Scovino, Sobre o silencioso despertar das coisas, text for exhibition
La voix des choses
2012
– Luisa Duarte, Devagar e sempre, text for ‘O Globo’ newspaper (12/11/2012)
– Fred Coelho, O que vive é espesso, text for exhibition O que vive é espesso
2011
– Moira Roth, interview for the Biennale of Sydney’s blog
– Alessandra Alliata Nobili, Maria Laet. Gesto Minimo, text for the Italian magazine Arte Contemporanea nº 26.
2010
– Federica Bueti, The World Is neither True nor Real, but Alive, text for exhibition Gesto Minimo
– Cauê Alves, Drawings of Air, text for exhibition Drawings of Air
– Conversation between Felipe Scovino, Maria Laet e Paulo Sergio Duarte, Imperativo e acidente
2009
– Suzana Vaz, Maria Laet. The might beyond duality, text for exhibition TrAIN to Bad Ems
– Danièle Perrier, Maria Laet, text for exhibition TrAIN to Bad Ems
2008
– Isobel Whitelegg, Maria Laet, text for exhibition MA Theory and Practice of Transnational Art
– Michael Asbury, interview for Abre Alas Magazine, A Gentil Carioca
2007
– Paulo Reis, Espaço de Sensação
ART FAIRS
Art Basel
Art Basel Miami – Position
Art Rio
SP Arte
Artissima
Frieze Londres
Frieze NY
Arco
Official – FIAC
YIA