Under the skin, 2020. Overlapping of woodcuts on Japanese paper. Polyptych, 32,5 x 22 cm each. Edition of 3 + 1 ap The work speaks of the disappearance of a memory, the wood veins are closing and disappearing as the wood is sanded. The title points into the skin of the wood that turns to dust, to the gesture that occurs under the skin of the sanding hand and to the overlap of the two sheets of Japanese paper, two woodcuts, that happens at work.