{"id":1103,"date":"2019-03-18T18:48:46","date_gmt":"2019-03-18T18:48:46","guid":{"rendered":"http:\/\/marialaet.com\/?page_id=1103"},"modified":"2024-06-20T15:17:44","modified_gmt":"2024-06-20T15:17:44","slug":"cv-resumido","status":"publish","type":"page","link":"http:\/\/marialaet.com\/en\/cv-resumido\/","title":{"rendered":"CV brief version"},"content":{"rendered":"

Biennials<\/u><\/strong><\/p>\n

2022<\/strong><\/h3>\n

\u2014\u00a037th\u00a0edition of the Panorama of Brazilian Art: Sob as cinzas, brasa.\u00a0MAM SP. Curated by Claudinei Roberto da Silva, Vanessa Davidson, Cristiana Tejo e Cau\u00ea Alves<\/em><\/em><\/em><\/em><\/p>\n

2018<\/strong><\/p>\n

\u2014 33rd\u00a0Bienal de S\u00e3o Paulo \u2013 Affective Affinities<\/em><\/em>, S\u00e3o Paulo, Brasil. Curadoria Gabriel P\u00e9rez- Barreiro<\/p>\n

2012<\/strong><\/em><\/p>\n

\u2014 18th Biennale of Sydney: all our relations<\/em>, Art Gallery NSW and MCA, Sydney, Austr\u00e1lia. Curadoria Catherine de Zegher and Gerald McMaster<\/p>\n

 <\/p>\n

Solo shows<\/u><\/strong><\/p>\n

2024<\/strong><\/p>\n

\u2013\u00a0Infinita medida<\/em>. 3+1 Gallery, Lisbon.\u00a0Text\u00a0by Catarina Rosendo<\/p>\n

2023<\/strong><\/p>\n

–\u00a0Esse of\u00edcio de rabiscar sobre as coisas do tempo, exige que prestemos alguma aten\u00e7\u00e3o a natureza<\/em>\u00a0(CDA). Galeria A Gentil Carioca SP, Brasil. Text by Ana Rocha<\/p>\n

2022<\/strong><\/p>\n

–\u00a0Sustenta\u00e7\u00e3o e abismo,\u00a0<\/em>acervo aberto e trabalhos recentes. Galeria Marilia Razuk, SP, Brasil.\u00a0 \u00a0Curadoria Jos\u00e9 Augusto Ribeiro<\/p>\n

2019\u00a0<\/strong><\/p>\n

–\u00a0Quase um nada<\/em>, OTIUM#4, IAC \u2013 Institut of contemporary art- Villeurbanne\/ Rh\u00f4ne-Alpes. France. Curated by Nathalie Ergino.<\/p>\n

–\u00a0Quase um nada<\/em>, Galeria 3+1, Lisboa, Portugal.<\/p>\n

–\u00a0Sobrec\u00e9u<\/em>, Galeria do Lago, Museu da Rep\u00fablica, Rio de Janeiro, Brasil.<\/p>\n

2018<\/strong><\/p>\n

\u2013\u00a0Pore<\/em>, Marilia Razuk Gallery, S\u00e3o Paulo,\u00a0Brasil. Curated by Bernardo Jos\u00e9 de Souza<\/p>\n

\u2013\u00a0Pore<\/em>, A Gentil Carioca Gallery, Rio de Janeiro,\u00a0Brasil. Curated by Bernardo Jos\u00e9 de Souza<\/p>\n

2016<\/strong><\/p>\n

\u2013\u00a0com a pele fina<\/em>, MdM Gallery, Paris, France<\/p>\n

2014<\/strong><\/p>\n

\u2013\u00a0Pedra V\u00e3o<\/em>, A Gentil Carioca Gallery, Rio de Janeiro, Brazil. Curated by Michael Asbury<\/p>\n

\u2013\u00a0Situa\u00e7\u00e3o de \u00e1gua<\/em>, Marilia Razuk Gallery, S\u00e3o Paulo, Brazil. Curated by Luisa Duarte<\/p>\n

\u2013\u00a0Jaro 3<\/em>, Rooster Gallery in association with Residency Unlimited, New York<\/p>\n

2013<\/strong><\/p>\n

\u2013\u00a0pela superf\u00edcie<\/em>, 3+1 Contemporary Art Gallery, Lisbon, Portugal<\/p>\n

\u2013\u00a0La voix des choses<\/em>, MdM Gallery, Paris, France. Curated by Felipe Scovino<\/p>\n

2012<\/strong><\/p>\n

\u2013\u00a0O que vive \u00e9 espesso<\/em>, A Gentil Carioca L\u00e1 Gallery, Rio de Janeiro, Brazil. Curated by de Fred Coelho<\/p>\n

2010<\/strong><\/p>\n

\u2013\u00a0Gesto Minimo<\/em>, Riccardo Crespi Gallery, Milan, Italy. Curated by Federica Bueti<\/p>\n

\u2013\u00a0Desenhos de Ar<\/em>, Centro Universit\u00e1rio Maria Antonia, S\u00e3o Paulo, Brazil<\/p>\n

\u2013\u00a0Eu fiz o nada aparecer<\/em>\u00a0\u2014 A Gentil Carioca Gallery, Rio de Janeiro, Brazil<\/p>\n

 <\/p>\n

Selected group shows<\/u><\/strong><\/p>\n

2024<\/strong><\/p>\n

–\u00a0Lugar de estar: o legado de Burle Marx<\/em>\u00a0– Museu de Arte Moderna do Rio de Janeiro. Curadoria Beatriz Lemos, Isabela Ono e Pablo Lafuente<\/p>\n

2023<\/strong><\/p>\n

–\u00a0Chosen Memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift\u00a0<\/em>and Beyond<\/em>, – MoMA, NY. Curated by\u00a0In\u00e9s Katzenstein, curatorial assistance\u00a0Julia Detchon<\/p>\n

–\u00a0Entre l\u00e1 –\u00a0<\/em>Casa Conti – Ange Leccia Art Center, C\u00f3rsega, Fran\u00e7a. Curated by Madeleine Filippi and Claire Luna<\/span><\/p>\n

–\u00a0Woman’s Work is Never Done –\u00a0<\/em>Richard Saltoun Gallery, London.\u00a0Curated\u00a0by Catherine de Zegher<\/p>\n

2022<\/strong><\/p>\n

–\u00a0Selon notre regard<\/i>,\u00a0Traf\u00f3 Art Center, Budapeste. Curated by Liberty Adrien<\/p>\n

2021<\/strong><\/p>\n

–\u00a0An(Other) Storyteller,\u00a0<\/em>exposi\u00e7\u00e3o on line\u00a0Vortic. Curated by Periferia Projects.<\/p>\n

2020<\/strong><\/p>\n

–\u00a0Ao ar, livre<\/em>, territ\u00f3rio Brasileiro.\u00a0Curated by Tiago de Abreu Pinto<\/p>\n

2019\u00a0<\/strong><\/p>\n

–\u00a0Matters of Concern<\/em>, La Verri\u00e8re, Foundation D\u2019entreprise Herm\u00e8s, Brussels, Belgium. Curadoria Guillaume D\u00e9sanges.<\/p>\n

–\u00a0Manjar: Em tudo que vive, tudo que flui<\/em>, Solar dos Abacaxis, Rio de Janeiro.\u00a0Curated by\u00a0Ana Clara Sim\u00f5es Lopes e Keyna Eleison<\/p>\n

–\u00a0Bauhaus: Utopia in Crisis,\u00a0<\/i><\/span>Camberwell Space, Camberwell College of Arts, London, UK.\u00a0Curated by Professor Daniel Sturgis (em breve)<\/p>\n

–\u00a0Tecer mundos<\/em>, SESC Quitandinha, Petr\u00f3polis, Brasil. Curadoria Daniela Name.<\/p>\n

–\u00a0Da linha, o fio<\/em>, Espa\u00e7o Cultural BNDES, Rio de Janeiro, Brasil. Curadoria Shannon Botelho.<\/p>\n

–\u00a0Apuntes para un tiempo geol\u00f3gico,<\/span><\/em>\u00a0Galeria \u00c1ngeles Ba\u00f1os, Badajoz, Espanha.\u00a0Curadoria\u00a0Virginia Torrente<\/span><\/p>\n

–\u00a0Play-list 2,\u00a0<\/em>Galeria\u00a0<\/em>Martine Aboucaya, Paris, Fran\u00e7a.<\/p>\n

– Correspondance, autour de Jacques Roubaud,\u00a0Galeria\u00a0<\/em>Martine Aboucaya, Paris, Fran\u00e7a.<\/em><\/p>\n

2018<\/strong><\/p>\n

\u2013\u00a0Cosmogonies, au gr\u00e9 des \u00e9l\u00e9ments,\u00a0<\/em>MAMAC, Nice, France.\u00a0Curated by\u00a0H\u00e9l\u00e8ne Guenin<\/p>\n

2017<\/strong><\/p>\n

\u2013\u00a0Video Art in Latin America,\u00a0<\/em>LAXART,\u00a0Los Angeles \u2013 Estados Unidos \/ USA. Curated by\u00a0Glenn Phillips e Elena Shtromberg<\/p>\n

\u2013\u00a0The Valise<\/em>, The Museum of Modern Art, New York.\u00a0Curated by May Castleberry<\/p>\n

\u2013\u00a0La Vie Aquatique<\/em>, Mus\u00e9e r\u00e9gional d\u2019art contemporain,\u00a0Occitanie \/ M\u00e9diterran\u00e9e, Fran\u00e7a. Curadoria Sandra Patron<\/p>\n

\u2013\u00a0Imaginaires d\u2019un monde tranquille,\u00a0<\/em>Centre d\u2019art contemporain, Meymac, Fran\u00e7a. Curadoria\u00a0Caroline Bissi\u00e8re & Jean-Paul Blanchet, avec Eglantine B\u00e9l\u00eatre<\/p>\n

2016<\/strong><\/p>\n

\u2013\u00a0Indel\u00e9vel<\/em>, Clube Jacaranda, Vila Aymor\u00e9, Rio de Janeiro, Brasil. Curated by\u00a0Vicente de Mello<\/p>\n

2015<\/strong><\/p>\n

\u2013\u00a0Tangents<\/em>, Museum of Fine Arts (MSK) in Ghent, Belgium. Curated by Catherine de Zegher<\/p>\n

\u2013\u00a0Encruzilhada<\/em>, Parque Lage, Rio de Janeiro, Brazil. Curated by Bernardo Mosqueira<\/p>\n

2014<\/strong><\/p>\n

\u2013\u00a0Rumors of the Meteore<\/em>, FRAC Lorraine, Metz, France. Curated by Beatrice Josse<\/p>\n

\u2013\u00a0Everydayness<\/em>, Wyspa Institute of Art, Gdansk, Poland. Curated by Beatrice Josse\u00a0and\u00a0Aneta Szy\u0142ak<\/p>\n

\u2013\u00a0A Inven\u00e7\u00e3o da Praia<\/em>, Pa\u00e7o das Artes, S\u00e3o Paulo, Brazil. Curated by Paula Azulgaray<\/p>\n

2013<\/strong><\/p>\n

\u2013\u00a0Correspond\u00eancias<\/em>\u00a0(exposi\u00e7\u00e3o em homenagem ao centen\u00e1rio da artista Tomie Ohtake), Centro Cultural dos Correios, Rio de Janeiro. Curated by Agnaldo Farias e Paulo Miyada<\/p>\n

\u2013\u00a0Lugar Comum<\/em>, SESC Quitandinha, Petr\u00f3polis. Curated by Marcelo Campos<\/p>\n

\u2013\u00a0Week-end of Latin America, <\/em>Quai Branly Museum, Paris, France.<\/p>\n

2012<\/strong><\/p>\n

\u2013\u00a0From the Margin to the Edge<\/em>, Somerset House, Londres, Inglaterra. Curated by Rafael Cardoso<\/p>\n

\u2013\u00a0Convite \u00e0 Viagem<\/em>, Rumos Ita\u00fa Cultural Artes Visuais, S\u00e3o Paulo, Brasil. Curated by Agnaldo Farias, Ana Maria Maia, Felipe Scovino, Gabriela Motta, Paulo Miyada, Alejandra Mu\u00f1oz, Carlos Franzoi, J\u00falio Martins, Luiza Proen\u00e7a, Marcelo Campos, Matias Monteiro, Sanzia Pinheiro e V\u00e2nia Leal<\/p>\n

2010<\/strong><\/p>\n

\u2013\u00a0O lugar da linha<\/em>, Museu de Arte Contempor\u00e2nea, Niter\u00f3i, Brasil\/ Pa\u00e7o das Artes, S\u00e3o Paulo,\u00a0Brasil. Curated by Felipe Scovino<\/p>\n

2009<\/strong><\/p>\n

\u2013\u00a0TrAIN to Bad Ems<\/em>, Galerie Nord, Berlin, Alemanha. Curated by de Dani\u00e8le Perrier<\/p>\n

2008<\/strong><\/p>\n

\u2013\u00a0Realidades Imposibles<\/em>, Fototeca Juan Malpica Mimendi, Vera Cruz, Mexico<\/p>\n

\u2013\u00a0MA Theory and Practice of Transnational Art<\/em>, House Gallery, London, England. Curated by Michael Asbury<\/p>\n

\u2013\u00a0MA Theory and Practice of Transnational Art<\/em>, Camberwell College of Arts, London, England. Curated by Michael Asbury<\/p>\n

2007<\/strong><\/p>\n

\u2013\u00a0Novas Aquisi\u00e7\u00f5es 2006\/2007<\/em>, Cole\u00e7\u00e3o Gilberto Chateaubriand, Museu de Arte Moderna, Rio de Janeiro, Brasil<\/p>\n

\u00a0<\/strong><\/p>\n

Collections<\/u><\/strong><\/p>\n

MAM, Gilberto Chateaubriand, Rio de Janeiro, Brasil<\/p>\n

MAC, Niter\u00f3i, Brasil<\/p>\n

49 Nord 6 est \u2013 Frac Lorraine, Metz, France<\/p>\n

MSK, Ghent, Belgium<\/p>\n

Colecci\u00f3n Patricia Phelps de Cisneros<\/p>\n

AGI, Verona, Italy<\/p>\n

Maria Cristina Masaveu Peterson Foundation, Madrid, Spain<\/p>\n

Figueiredo Ferraz Institute, S\u00e3o Paulo, Brasil<\/p>\n

MoMA, New York<\/p>\n

Special Collections, The Getty Research Institute<\/p>\n

Rare Books and Special Collection, Princeton University<\/p>\n

The Bienecke Rare Book and Manuscript Library, Yale University<\/p>\n

Ivorypress Artist\u2019s Books Collection, Madrid<\/p>\n

Ur\u00eda Men\u00e9ndez Collection, Spain<\/p>\n

MAR, Rio de Janeiro<\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

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