{"id":84,"date":"2016-12-01T20:13:47","date_gmt":"2016-12-01T20:13:47","guid":{"rendered":"http:\/\/marialaet.com\/?page_id=84"},"modified":"2024-01-29T19:08:30","modified_gmt":"2024-01-29T19:08:30","slug":"bio","status":"publish","type":"page","link":"http:\/\/marialaet.com\/en\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"<p><\/p>\n<p class=\"p1\">Maria Laet was born in Rio de Janeiro, Brazil, in 1982, where she continues to live and work.<\/p>\n<p class=\"p1\">She participated in the 37th edition of the Panorama of Brazilian Art: Sob as cinzas, brasa, at MAM S\u00e3o Paulo, 2022; the 33rd S\u00e3o Paulo Biennal: Affective Affinities, 2018; the 18th Biennale of Sydney: All Our Relations, 2012; and had her solo show Almost Nothing at the IAC Villeurbanne\/ Rh\u00f4ne-Alpes, France, 2019.<\/p>\n<p class=\"p1\">Laet did her first solo show in 2010, and she also participated in group exhibitions as:<\/p>\n<p>Lugar de estar: o legado de Burle Marx\u00a0&#8211; Museu de Arte Moderna do Rio de Janeiro, 2024;<\/p>\n<p>Chosen Memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond, &#8211; The Museum of Modern Art, NY, USA, 2023;<\/p>\n<p class=\"p1\">I Remember Earth &#8211; Magasin des Horizons, Grenoble, France, 2019;<\/p>\n<p class=\"p1\">Matters of Concern &#8211; La Verri\u00e8re, Fdn D\u2019entreprise Herm\u00e8s, Belgium, 2019;<\/p>\n<p class=\"p1\">Mulheres na Cole\u00e7\u00e3o MAR &#8211; Museu de Arte do Rio, RJ, Brasil, 2018;<\/p>\n<p class=\"p1\">Cosmogonies, au Gr\u00e9 des \u00c9l\u00e9ments &#8211; MAMAC, Nice, France, 2018;<\/p>\n<p class=\"p1\">Video Art in Latin America &#8211; LAXART, Los Angeles, USA, 2017;<\/p>\n<p class=\"p1\">La Vie Aquatique &#8211; Mrac Occitanie, S\u00e9rignan, France, 2017;<\/p>\n<p class=\"p1\">The Valise &#8211; MoMA, New York, USA, 2017;<\/p>\n<p class=\"p1\">Osso, exposi\u00e7\u00e3o apelo ao amplo direito de defesa de Rafael Braga \u2013 Inst. Tomie Ohtake, SP, 2017;<\/p>\n<p class=\"p1\">Tangents &#8211; MSK, Ghent, Belgium, 2015;<\/p>\n<p class=\"p1\">Encruzilhada &#8211; Parque Lage, Rio de Janeiro, Brazil, 2015;<\/p>\n<p class=\"p1\">Rumors of the Meteore &#8211; 49 Nord 6 est &#8211; Frac Lorraine, Metz, France, 2014;<\/p>\n<p class=\"p1\">Everydayness &#8211; Wyspa Institute of Art, Gdansk, Poland, 2014;<\/p>\n<p class=\"p1\">From the Margin to the Edge &#8211; Somerset House, London, UK, 2012;<\/p>\n<p class=\"p1\">Convite \u00e0 Viagem &#8211; Rumos Ita\u00fa Cultural, S\u00e3o Paulo, Brazil, 2012;<\/p>\n<p class=\"p1\">O Lugar da Linha &#8211; MAC Niter\u00f3i and Pa\u00e7o das Artes SP, Brazil, 2010.<\/p>\n<p class=\"p1\">Her work is part of collections such as MAM, Gilberto Chateaubriand, Rio de Janeiro; MAC Niter\u00f3i; 49 Nord 6 est \u2013 Frac Lorraine, Metz, France; MSK, Ghent, Belgium; MAR, Rio de Janeiro; Colecci\u00f3n Patricia Phelps de Cisneros; and MoMA, New York.<\/p>\n<p class=\"p1\">\/\/<\/p>\n<p class=\"p1\">Maria Laet\u2019s multidisciplinary practice is informed by a series of actions resulting from subtle gestures and interventions in public and domestic spaces. Mediums employed act as conduits and platforms for Laet\u2019s processes, skins, which convey her intentions and reveal the act as an archive. In this way, the work happens through the physicality of the materials evolved, calling attention, among other things, to the space, the membrane that connects and separates at the same time. The poetics of Laet\u2019s work talks about the relation between two parts, between inside and outside, about time and memory, about the measure and the presence of the body, about an identification between the human body and the body of the earth, with an intuitive attention to what is almost invisible.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Maria Laet was born in Rio de Janeiro, Brazil, in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-84","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8avjY-1m","_links":{"self":[{"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/pages\/84","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/comments?post=84"}],"version-history":[{"count":39,"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/pages\/84\/revisions"}],"predecessor-version":[{"id":1972,"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/pages\/84\/revisions\/1972"}],"wp:attachment":[{"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/media?parent=84"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}