{"id":316,"date":"2010-05-20T11:39:11","date_gmt":"2010-05-20T11:39:11","guid":{"rendered":"http:\/\/marialaet.com\/?p=316"},"modified":"2021-05-11T21:56:33","modified_gmt":"2021-05-11T21:56:33","slug":"caue-alves","status":"publish","type":"post","link":"http:\/\/marialaet.com\/en\/textos\/caue-alves\/","title":{"rendered":"Drawings of Air"},"content":{"rendered":"<p><\/p>\n<p class=\"p1\">The raw materials of Maria Laet\u2019s drawings are interval and air. The<\/p>\n<p class=\"p1\">displacement of ink is generated by the breeze produced as a consequence<\/p>\n<p class=\"p1\">of body movement or breath. There is a considerable distance between<\/p>\n<p class=\"p1\">gesture and paper in the two series on exhibition. The distance of the<\/p>\n<p class=\"p1\">artist\u2019s body from the support considerably reduces her control over results.<\/p>\n<p class=\"p1\">The origin of expressiveness in these drawings lies in chance and<\/p>\n<p class=\"p1\">indeterminacy of process.<\/p>\n<p class=\"p1\">A physical effort is required for the drawing of each line. In one of the<\/p>\n<p class=\"p1\">series, a helium balloon keeps aloft tinted cotton that flies according to the<\/p>\n<p class=\"p1\">direction of the breeze. Hence the difficulty of a precise correspondence<\/p>\n<p class=\"p1\">between the body\u2019s movement and the line. There is a discontinuity<\/p>\n<p class=\"p1\">between gesture and drawing.<\/p>\n<p class=\"p1\">The other series makes use of China ink and a stack of paper. The ink is<\/p>\n<p class=\"p1\">blown in opposite directions, as in some sort of silent dialogue. The China<\/p>\n<p class=\"p1\">ink soaks through layers of paper until it has been totally absorbed. The<\/p>\n<p class=\"p1\">balloon tends to an ascending movement, whereas in this series the force of<\/p>\n<p class=\"p1\">gravity inverts the direction. Displayed in horizontal sequences, the<\/p>\n<p class=\"p1\">drawings present traces of breath and its process of disappearance. What<\/p>\n<p class=\"p1\">was once a three-dimensional stack of paper exhibits an emphasis on<\/p>\n<p class=\"p1\">planarity. The seeping of the ink through the support and the relationship<\/p>\n<p class=\"p1\">between each one of the drawings are mentally refashioned by the public. It<\/p>\n<p class=\"p1\">all happens as if we were looking at individual frames separately rather<\/p>\n<p class=\"p1\">than watching one second of film.<\/p>\n<p class=\"p1\">These works call our attention to the hiatus between each one of the<\/p>\n<p class=\"p1\">drawings and the empty space between the body\u2019s gesture and the marks<\/p>\n<p class=\"p1\">upon the paper. What is this interval? Rather than the distanced mode<\/p>\n<p class=\"p1\">according to which the contemporary subject relates to objects, it is man\u2019s<\/p>\n<p class=\"p1\">very connection with the world that presupposes voids pregnant with<\/p>\n<p class=\"p1\">meanings.<\/p>\n<p class=\"p2\">[Translated from the Portuguese by Stephen Berg]<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>The raw materials of Maria Laet\u2019s drawings are interval and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-316","post","type-post","status-publish","format-standard","hentry","category-textos"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8avjY-56","_links":{"self":[{"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/posts\/316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/comments?post=316"}],"version-history":[{"count":8,"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/posts\/316\/revisions"}],"predecessor-version":[{"id":1696,"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/posts\/316\/revisions\/1696"}],"wp:attachment":[{"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/media?parent=316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/categories?post=316"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/marialaet.com\/en\/wp-json\/wp\/v2\/tags?post=316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}