Index

 

EDUCATION

2011/ 2012 PIESP, São Paulo, Brazil

2007/ 2008 Camberwell College of Art, London, England— MA Theory and Practice of Transnational Art

2007 Chelsea College of Art and Design, London, England— Post Graduation Diploma in Fine Art

2005 Procedência e Propriedade, Charles Watson, Rio de Janeiro, Brasil

2000/ 2006 PUC, Rio de Janeiro, Brazil— Graduation Diploma in Graphic design

 

BIENNIALS

2022

— 37th edition of the Panorama of Brazilian Art: Sob as cinzas, brasa. MAM SP. Curated by Claudinei Roberto da Silva, Vanessa Davidson, Cristiana Tejo e Cauê Alves

2018

— 33rd Bienal de São Paulo – Affective Affinities, São Paulo, Brasil. Curadoria Gabriel Pérez- Barreiro

2012

— 18th Biennale of Sydney: all our relations, Art Gallery NSW and MCA, Sydney, Austrália. Curadoria Catherine de Zegher and Gerald McMaster

 

SOLO SHOWS

2024

– Infinita medida. 3+1 Gallery, Lisbon. Text by Catarina Rosendo

2023

– Esse ofício de rabiscar sobre as coisas do tempo, exige que prestemos alguma atenção a natureza (CDA). Galeria A Gentil Carioca SP, Brasil. Text by Ana Rocha

2022

– Sustentação e abismo, acervo aberto e trabalhos recentes. Galeria Marilia Razuk, SP, Brasil.   Curadoria José Augusto Ribeiro

2019

– Almost Nothing, OTIUM #4, IAC – Institut of contemporary art- Villeurbanne/ Rhône-Alpes. France. Curated by Nathalie Ergino.

– Almost Nothing, Galeria 3+1, Lisboa, Portugal.

– Sobrecéu, Galeria do Lago, Museu da República, Rio de Janeiro, Brasil.

2018

– Pore, Marilia Razuk Gallery, São Paulo, Brasil. Curated by Bernardo José de Souza

– Pore, A Gentil Carioca Gallery, Rio de Janeiro, Brasil. Curated by Bernardo José de Souza

2016

com a pele fina, MdM Gallery, Paris, France

2014

Pedra Vão, A Gentil Carioca Gallery, Rio de Janeiro, Brazil. Curated by Michael Asbury

Situação de água, Marilia Razuk Gallery, São Paulo, Brazil. Curated by Luisa Duarte

Jaro 3, Rooster Gallery in association with Residency Unlimited, New York

Curated by Caroline Taylor

2013

pela superfície, 3+1 Contemporary Art Gallery, Lisbon, Portugal

La voix des choses, MdM Gallery, Paris, France. Curated by Felipe Scovino

2012

O que vive é espesso, A Gentil Carioca Lá Gallery, Rio de Janeiro, Brazil. Curated by de Fred Coelho

2010

Gesto Minimo, Riccardo Crespi Gallery, Milan, Italy. Curated by Federica Bueti

Desenhos de Ar, Centro Universitário Maria Antonia, São Paulo, Brazil

Eu fiz o nada aparecer — A Gentil Carioca Gallery, Rio de Janeiro, Brazil

 

GROUP SHOWS

2024

After Eden – RGR Galley, Mexico City. Curated by Gabriela Rangel

– A Yellow Sun, A Green Sun, A Yellow Sun, A Red Sun, A Blue Sun. Echoes through the Mediterraneans – MAXXI Med, Rome. Curated by Chiara Ianeselli

Planet Sea. Water in the echo of time – Parc House, Parc naturel régional des Monts d’Árdèche, France.

– Lugar de estar: o legado de Burle Marx – Museu de Arte Moderna do Rio de Janeiro. Curated by Beatriz Lemos, Isabela Ono e Pablo Lafuente

2023

– Chosen Memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond, – MoMA, NY. Curated by Inés Katzenstein, curatorial assistance Julia Detchon

– Entre lá – Casa Conti – Ange Leccia Art Center, Córsega, França. Curated by Madeleine Filippi and Claire Luna

– Woman’s Work is Never Done – Richard Saltoun Gallery, London. Curated by Catherine de Zegher

A Room of One’s Own – Galeria Marilia Razuk, São Paulo.

2022

Objeto não identificado. Galeria Athena, Rio de Janeiro. Curated by Luisa Duarte and Victor Gorgulho.

A trama da terra que treme. Galeria A Gentil Carioca SP. Curated by Victor Gorgulho.

– Selon notre regard, Trafó Art Center, Budapest. Curated by Liberty Adrien

 Pelas Frestas, Art Preview and Marilia Razuk Gallery, São Paulo.Curated by Claudia Calirman and Gisela Gueiros

 Espelho Labirinto (Sérgio Carvalho collection), CCBB Brasilia. Curated by Vicente de Mello and Aldones Nino

2021

Panta Rei, Anna Marra Gallery, Roma. Curated by Marina Dacci

– Bum bum Paticumbum Prugurundum, inaugural group show at A Gentil Carioca Gallery, São Paulo.

4 x 5 . 4 – Corpo, Marilia Razuk Gallery, São Paulo. Curated by Douglas de Freitas

– Mirror, on line show at Vortic/ A Gentil Carioca Gallery.

– An(Other) Storyteller, on line show at Vortic. Curated by Periferia Projects.

2020

– Ao ar, livre, território Brasileiro. Curated by Tiago de Abreu Pinto

– Lost in Translation, A Gentil Carioca Gallery, Brasil. Exposição virtual.

– MIRA, ArtRio, Rio de Janeiro, Brasil. Curated by Victor Gorgulho

– Conversation Pieces, Mercedes Viegas Gallery, Rio de Janeiro, Brasil.

2019

– Matters of Concern, La Verrière, Foundation D’entreprise Hermès, Brussels, Belgium. Curadoria Guillaume Désanges.

– Manjar: Em tudo que vive, tudo que flui, Solar dos Abacaxis, Rio de Janeiro. Curated by Ana Clara Simões Lopes e Keyna Eleison

– Bauhaus: Utopia in Crisis, Camberwell Space, Camberwell College of Arts, London, UK. Curated by Professor Daniel Sturgis (em breve)

– Tecer mundos, SESC Quitandinha, Petrópolis, Brasil. Curated by Daniela Name.

– Da linha, o fio, Espaço Cultural BNDES, Rio de Janeiro, Brasil. Curadoria Shannon Botelho.

– Apuntes para un tiempo geológico, Galeria Ángeles Baños, Badajoz, Espanha. Curadoria Virginia Torrente

– Play-list 2, Galeria Martine Aboucaya, Paris, França.

– Correspondance, autour de Jacques Roubaud, Galeria Martine Aboucaya, Paris, França.

2018

Cosmogonies, au gré des éléments, MAMAC, Nice, France. Curated by Hélène Guenin

2017

– Video Art in Latin America, LAXART, Los Angeles – Estados Unidos / USA. Curated by Glenn Phillips e Elena Shtromberg

The Valise, The Museum of Modern Art, New York. Curated by May Castleberry

– Temps Variables et autres horizons, Galeria da Escola Superior de Artes de Lorraine, Metz, França

– La Vie Aquatique, Musée régional d’art contemporain, Occitanie / Méditerranée, França. Curadoria Sandra Patron

– Imaginaires d’un monde tranquille, Centre d’art contemporain, Meymac, França. Curadoria Caroline Bissière & Jean-Paul Blanchet, avec Eglantine Bélêtre

– Circularidade Vã, Z42 Arte Contemporânea, Rio de Janeiro. Curadoria Guilherme Marcondes e João Paulo Quintella, e assistência de Ana Bourdagohe

– A invenção da praia: cassino, Antigo Cassino da Urca, Instituto Europeo di Design, Rio de Janeiro. Curadoria Paula Alzugaray

– Sobre a Terra, Galeria A Gentil Carioca, Rio de Janeiro. Curadoria Bernardo Mosqueira.

– MA, Galeria Luciana Caravello, Rio de Janeiro. Curadoria Luisa Duarte.

Constelar, Instituto Pró-Saber, Rio de Janeiro. Curadoria Marcelo Campos

– Curatorial project at the invitation of A Gentil Carioca Gallery: Abre Alas 13, A Gentil Carioca, em parceria com Bernardo de Sousa, Mara Fainziliber e Marcio Fainziliber.

2016

Pequenos Formatos: Dimensão e Escala, Cidade das Artes, Rio de Janeiro, Brasil

Indelével, Clube Jacaranda, Vila Aymoré, Rio de Janeiro, Brasil. Curated by Vicente de Mello

Hiato, SIM Gallery, Curitiba, Brazil. Curated by Luisa Duarte

2015

Coleções 10, Luisa Strina Gallery, São Paulo, Brazil

Tangents, Museum of Fine Arts (MSK) in Ghent, Belgium

Curated by Catherine de Zegher

Atributos do Silêncio, Bergamin & Gomide Gallery, São Paulo, Brazil

Curated by Felipe Scovino

Encruzilhada, Parque Lage, Rio de Janeiro, Brazil. Curated by Bernardo Mosqueira

2014

Rumors of the Meteore, FRAC Lorraine, Metz, France. Curated by Beatrice Josse

Everydayness, Wyspa Institute of Art, Gdansk, Poland

Curated by Beatrice Josse and Aneta Szyłak

A Invenção da Praia, Paço das Artes, São Paulo, Brazil. Curated by Paula Azulgaray

Único, Carbono Gallery, São Paulo, Brazil. Curated by Paulo Venâncio Filho

2013

Correspondências (exposição em homenagem ao centenário da artista Tomie Ohtake), Centro Cultural dos Correrios, Rio de Janeiro. Curated by Agnaldo Farias e Paulo Miyada

Brutalidade Jardim, Marília Razuk Gallery, São Paulo. Curated by Kiki Mazzucchelli

– Week-end of Latin America, Quai Branly Museum, Paris, France.

Chambres à Part VIII: Seeing is a Fable, Paris, France

Lugar Comum, SESC Quitandinha, Petrópolis. Curated by Marcelo Campos

2012

PIESP Programa Independente da Escola São Paulo, Instituto Cervantes, São Paulo. Curated by Adriano Pedrosa e Luiza Proença

…(chamo silêncio à linguagem-que-já-não-é-orgão-de-nada)… (after Pascal Quignard), Quase Galeria- Espaçot, Porto, Portugal. Curated by Fátima Lambert

From the Margin to the Edge, Somerset House, Londres, Inglaterra. Curated by Rafael Cardoso

Convite à Viagem, Rumos Itaú Cultural Artes Visuais, São Paulo, Brasil. Curated by Agnaldo Farias, Ana Maria Maia, Felipe Scovino, Gabriela Motta, Paulo Miyada, Alejandra Muñoz, Carlos Franzoi, Júlio Martins, Luiza Proença, Marcelo Campos, Matias Monteiro, Sanzia Pinheiro e Vânia Leal

2010

Chez Toi, Exposition Éphémère N.1, See Art, Paris. Curated by Maria do Mar Guinle

Silêncio, Galeria Zipper, São Paulo, Brasil. Curated by Paula Braga

O lugar da linha, Museu de Arte Contemporânea, Niterói, Brasil/ Paço das Artes, São Paulo, Brasil. Curated by Felipe Scovino

Natura e Destino, Riccardo Crespi Gallery, Milão, Itália

2009

TrAIN to Bad Ems, Galerie Nord, Berlin, Alemanha. Curated by de Danièle Perrier

2008

O Contrato do Desenhista, Plataforma Revolver, Lisbon, Portugal. Curated by Paulo Reis

Little Things, The Parlour Project Space Gallery, London, England

Reflect refract, Rich Gallery, London, England. Curated by Lucía Pizzani

Realidades Imposibles, Fototeca Juan Malpica Mimendi, Vera Cruz, Mexico

MA Theory and Practice of Transnational Art, House Gallery, London, England. Curated by Michael Asbury

MA Theory and Practice of Transnational Art, Camberwell College of Arts, London, England. Curated by Michael Asbury

Paper Trail: 15 Brazilian Artists, Allsopp Contemporary, London, England. Curated by Maria do Mar Guinle

2007

Upstaging Nature, Lookoutpost in collaboration with London Wildlife Trust, Sydenham Hill Wood, London, England

Novas Aquisições 2006/2007, Coleção Gilberto Chateaubriand, Museu de Arte Moderna, Rio de Janeiro, Brasil

 

Publications

2018 Poro, Editora Cobogó, 84 pages, 29 x 21 cm, works from 2018 to 2005. Texto Frederico Coelho

2017  The Valise, a collective artists’ project, unites seven South American artists—Johanna Calle, Matías Duville, Maria Laet, Mateo López, Nicolás Paris, Rosângela Rennó, and Christian Vinck Henriquez—with the Argentine writer César Aria. The printed edition, published by the Library Council of The Museum of Modern Art, presents a selection of artworks responding to the idea of travel and to Aria’s novel Un episodio en la vida del pintor viajero (2000), both the original Spanish edition and the English translation, An Episode in the Life of a Landscape Painter (2006). The novel concerns the surreal story of an 1837 journey through South America by the German painter Johann Moritz Rugendas, an associate of the explorer and naturalist Alexander von Humboldt. Designed to fit in a special valise (a carrying case), the works include original prints, maps, artist’s books, airmail envelopes, origami toys, posters, a sound recording, and a hand blown glass sculpture, all reflecting the artists’ shared affinity for geography, travel literature, and book-making. — The Valise was edited and produced for The Museum of Modern Art’s Library Concil by May Castleberry, Editor, Contemporary Editions, the Library Council. Leslie Miller, at The Grenfell Press, New York, and Mark Tomlinson, in Easthampton, Massachusetts, contributed to all aspects od the design and production. João Sánchez printed the 180 woodblock monoprints by Maria Laet at Estídio Baren, Rio de Janeiro. The entries on this brochure were written y May Castleberry and Elizabeth Zuba.

2011 Collaboration at Lado7 magazine, first number, Editora 7Letras, editor Jorge Viveiros de Castro

 

GRANTS

2011/ 2012 – Rumos Itaú Cultural Artes Visuais, São Paulo

2010, 2011, 2012, 2016, 2017,2018, 2022 – Indicated to PIPA Prize, Rio de Janeiro

 

RESIDENCIES

2014 RU Residency Unlimited, New York

2010 Carpe Diem Arte e Pesquisa, Lisbon, Portugal

2009 Schloß Balmoral, Bad Ems, Germany

 

COLLECTIONS

MAM, Gilberto Chateaubriand, Rio de Janeiro, Brasil

MAC, Niterói, Brasil

49 Nord 6 est – Frac Lorraine, Metz, France

MSK, Ghent, Belgium

MoMA, New York

Colección Patricia Phelps de Cisneros

AGI, Verona, Italy

Maria Cristina Masaveu Peterson Foundation, Madrid, Spain

Figueiredo Ferraz Institute, São Paulo, Brasil

Special Collections,  The Getty Research Institute

Rare Books and Special Collection,  Princeton University 

The Bienecke Rare Book and Manuscript Library, Yale University

 Ivorypress Artist’s Books Collection, Madrid  

MAR, Rio de Janeiro

 

TEXTS

2019

— Cristiana Tejo, Tempo como ação, intenção e desintegração

— Nathalie Ergino, texto para o projeto OTIUM#4

2018

— Gabriel Pérez-Barreiro, entrevista para catálogo da 33a Bienal de São Paulo

— Frederico Coelho, Poro

– Bernardo José de Souza, A folha folheada pelo tempo, text for exhibition Pore

2016

– Isabel Junqueira, La peau de tout, text for exhibition com a pele fina

2014

– Michael Asbury, Pedra Vão, text for exhibition Pedra Vão

– Luisa Duarte, Situação de Água, text for exhibition Situação de Água

2013

– Jorge Emanuel Espinho, O Eu e o Outro – Impulso, Relação, Fronteira, text for exhibition pela superfície

– Felipe Scovino, Sobre o silencioso despertar das coisas, text for exhibition

La voix des choses

2012

– Luisa Duarte, Devagar e sempre, text for ‘O Globo’ newspaper (12/11/2012)

– Fred Coelho, O que vive é espesso, text for exhibition O que vive é espesso

2011

– Moira Roth, interview for the Biennale of Sydney’s blog

– Alessandra Alliata Nobili, Maria Laet. Gesto Minimo, text for the Italian magazine Arte Contemporanea nº 26.

2010

– Federica Bueti, The World Is neither True nor Real, but Alive, text for exhibition Gesto Minimo

– Cauê Alves, Drawings of Air, text for exhibition Drawings of Air

– Conversation between Felipe Scovino, Maria Laet e Paulo Sergio Duarte, Imperativo e acidente

2009

– Suzana Vaz, Maria Laet. The might beyond duality, text for exhibition TrAIN to Bad Ems

– Danièle Perrier, Maria Laet, text for exhibition TrAIN to Bad Ems

2008

– Isobel Whitelegg, Maria Laet, text for exhibition MA Theory and Practice of Transnational Art

– Michael Asbury, interview for Abre Alas Magazine, A Gentil Carioca

2007

– Paulo Reis, Espaço de Sensação

 

ART FAIRS

Art Basel

Art Basel Miami – Position

Art Rio

SP Arte

Artissima

Frieze Londres

Frieze NY

Arco

Official – FIAC

YIA